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作 者:郝泽琼 Hao Zeqiong
出 处:《北方音乐》2023年第2期136-144,共9页Journal of the Northern Music
摘 要:“新音乐运动”是我国20世纪30-40年代以创建新音乐为目的的文化运动。上海新闻报刊业,在抗日战争胜利后逐渐复苏的1946年《新音乐》与《音乐杂志》同时发刊,成为上海新音乐文化传播的主要平台,两本期刊分别发出“推动歌咏”与“引进西乐”的“新音乐运动”的不同呼声。这来源于不同音乐家群体对时局与音乐民族化认识的差异,反映出对当时群众音乐发展途径与国防音乐形式选择等问题的各持主张。文章分析了两个刊物对两类音乐家群体在新音乐运动中的分歧表现,总结当时群众音乐活动在“存异”中如何“求同”的有效经验。The New Music Movement was a cultural movement that aimed at creating new music in the 1930s and 1940s in China.In 1946,after the gradual recovery from the victory of the War of Re-sistance Against Japanese,the New Music and Music Magazine were published at the same time and became the main platform for the dissemination of new music culture in Shanghai.The two periodi-cals issued different voices for the New Music Movement,such as Promoting Singing and Introduc-ing W estern Music respectively.This reflects not only the differences in the understanding of different groups of musicians about the current situation and the nationalization of music,but also the dif-ferent views on the development of mass musie and the forms choice of music about national defense at that time.The article analyzes the two periodicals on the divergent performance of lwo groups of musicians in the New Music Movement and summarizes the effective experience of how mass music activities of the time found common ground in the midst of differences.
关 键 词:《新音乐》(上海版) 《音乐杂志》 上海 新音乐运动
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