探讨现代科技和传统美学在电影制作中的碰撞与融合——以《流浪地球2》为例  

An exploration towards the collision and fusion of technologies and traditional aes-thetics principles in film production,taking The Wandering Earth 2 as an example

作　　者：刘寅 Micheal Liu(MICHEAL LIU STUDIO)

机构地区：[1]刘寅电影工作室,北京100080

出　　处：《现代电影技术》2023年第4期4-12,共9页Advanced Motion Picture Technology

摘　　要：电影《流浪地球2》作为中国当代科幻电影代表作之一,其中大量运用并且集中体现了当代电影摄影制作技术。笔者作为该片的摄影指导,结合实践创作体会,以此片为例探究呈现当代技术与传统美学在电影制作中的碰撞和融合。本文从“综合体”型影像美学设计、高新技术在电影制作中的运用、流程化制作管理三个方面对此进行解读。As one of the representative works of contemporary sci-fi movies in China,The Wandering Earth 2 made extensive use and embodied modern cinematography and production technology.As the photography director of this film,combining with his own practical experience,the author takes the film as an example to show the collision and integration of modern technology and traditional aesthetics theory in film production.This paper discusses this from complex aesthetic design of its image,the application of high-tech in film production and the process management production.

关 键 词：《流浪地球2》 “综合体”型影像美学设计 高新技术运用 流程化制作管理 

分 类 号：J91[艺术—电影电视艺术] J93