“尽是人间第一流”——《本事诗》的人物风雅与中国古典文评景观  

The World’s Best:the Elegance of the Characters in Notes on Poets and Poetry and the Landscape of Classical Chinese Literary Criticism

作　　者：廉水杰 LIAN Shuijie

机构地区：[1]河北经贸大学文化与传播学院

出　　处：《中国文艺评论》2023年第4期48-57,I0002,共11页China Literature and Art Criticism

基　　金：2018年度河北省社会科学基金项目“王通经典视域下颜延之的风雅精神研究”(项目号:HB18WX014)的阶段性成果。

摘　　要：孟启诗话视域下的人物风雅书写,可以归结为三点:一、人物“嘲戏”般的“幽默”建立在对人性底色的深切认知上,如颜延之的“嘲戏”,更能彰显不卑不亢的文人风雅;二、众美至情至性的背后,不得不面对命运被权力操控的无力感,正是这种无力感,才显得抗争更为可贵;三、孟启诗话品评的“平等”视域,更有助于呈现人物的风韵风雅。诗人、美人勇毅果敢的性情以及诗话品评者的“平等”视域,才是“本事批评”的特色,更是中国古典文评的景观。The elegance of the characters in the vision of Meng Qi’s notes on poets and poetry can be summed up as the following three points:First,the character’s“mockery”like“humor”is based on a deep understanding of human nature,such as Yan Yanzhi’s“mockery”,which can better highlight an open-minded scholar’s attitude.Second,behind the beauty’s feeling and nature,which have to face the powerlessness of fate being controlled by power,which makes the struggle more valuable.Third,the perspective of“equality”in Meng Qi’s notes on poets and poetry is more conducive to presenting the charm and elegance of the characters.The courage and determination of poets and beauties,as well as the perspective of“equality”of poetry critics,are the characteristics of“Ben-shi criticism”,and even more the landscape of classical Chinese literary criticism.

关 键 词：诗人 嘲戏 美人 风雅 平等 

分 类 号：I207.22[文学—中国文学]