“想象的民间”:论中国古装网络剧的故事世界与文化意涵  

The“Imaginary Folk”:On The Story World and Cultural Connotations of Ancient Chinese Costume Webisode

作　　者：朱斌 ZHU Bin

机构地区：[1]北京师范大学艺术与传媒学院

出　　处：《中国文艺评论》2023年第4期68-77,I0002,I0003,共12页China Literature and Art Criticism

基　　金：2017年度国家社科基金艺术学重大项目“中国网络电影、网络剧、网络节目研究”(项目批准号:17ZD02)的阶段性成果。

摘　　要：近年来,中国古装网络剧逐步迈入精品化道路,涌现出一批兼具口碑效应和市场价值的作品。出现这一良好效应的重要原因在于剧集依托民间文化元素,实现了民间世界的架构与文化空间的生成,从艺术形式和思想内容层面凸显鲜明的本土风范。古装网络剧在“草根”色彩、生活理想与历史意识的赋能下,具备民间性的内在逻辑,以其开创的故事世界及其文化经验连接起过去与当下的精神场域。古装网络剧基于民间立场昭示的中华美学精神与道德理想,置于文艺作品构建人类文明新形态的进程中,具备了讲好中国故事、弥合文化分歧与共鉴人文情怀的深层意义。In recent years,ancient Chinese costume webisode has gradually entered the path of boutique,with a number of works which have both word-of-mouth effect and market value.The important reason for this favorable effect is that the webisode,by using folk cultural elements,has formed the structure of folk world and cultural space,and foregrounded the distinctive local style in terms of artistic form and ideological content.Empowered by“grassroots”colors,life ideals and historical consciousness,ancient costume webisode possesses the inner logic of folklore and connects the spiritual fields of the past and the present with the story worlds and cultural experiences they create.The Chinese aesthetic spirit and moral ideals expressed by the ancient costume webisode are based on the civilian’s stand and are thereby placed in the process of building a new form of human civilization through literature and art works.These features of ancient costume webisode have profound significance in telling Chinese stories,bridging cultural differences and sharing humanistic sentiments.

关 键 词：古装网络剧 民间文化 故事世界 民俗事项 网络文艺 

分 类 号：J905[艺术—电影电视艺术]