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作 者:吴培培 WU Pei-pei
机构地区:[1]中南民族大学民族学与社会学学院,湖北武汉430070
出 处:《民族艺林》2023年第1期42-48,共7页Journal of Ethnic Art
基 金:国家社会科学基金重大项目“南方少数民族手工艺资源体系与基因要素图谱研究”(项目编号:17ZDA166)阶段性成果。
摘 要:民族传统工艺由于其技艺复杂且很难通过文字或实物实现代际传承,因此其传承活动主要通过“师徒相继,口传心授”这种“活态传承”的方式进行。在民族传统工艺的“活态传承”中,师徒关系主要建立在亲缘、业缘以及地缘关系的基础之上。这三种传承模式的互嵌推动着民族传统工艺不断发展,但这三种关系所构成的群体在接受核心工艺的程度上表现不同,具体表现为血缘传承会促进技艺基因的复制,而非血缘关系群体之间的传递则会导致技艺基因的变异。“Passing down from generation to generation”is the essential attribute of national traditional craft transmission activities.Because of the complexity of traditional crafts,it is difficult to achieve inter-generational inheritance through words or objects.Therefore,the inheritance activities of handicraft skills are mainly carried out through the“live transmission”method of“mentoring one after another,mouth-to-mouth teaching”.In the“live transmission”of national traditional craft,the relationship between master and apprentice is mainly based on kinship,craftsmanship and geographical relationship.The interpenetration of kinship inheritance,craftsmanship inheritance and geographical inheritance promotes the continuous development of national traditional crafts.However,the groups formed by these three relationships are different in the degree of accepting core crafts.The specific performance is that consanguineous inheritance promotes the replication of skill genes,while the transmission between non-consanguineous groups will lead to the variation of skill genes.
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