延拓与苏息:略论戏曲类综艺节目的 创新策略与破域之径 ——以山东卫视《戏宇宙》为例  

Expansion and Reorganization: A Brief Discussion on the Innovative Strategies and Breakthrough Paths of Opera Variety Shows——Take Shandong Satellite TV's Drama Universe as an example

作　　者：宋存杰 于特浩 SONG Cun-jie;YU Te-hao

机构地区：[1]广西大学新闻与传播学院,广西南宁530004 [2]广西大学艺术学院,广西南宁530004

出　　处：《民族艺林》2023年第1期82-88,共7页Journal of Ethnic Art

基　　金：2022年度广西大学课程思政示范课“《播音发声》思政课程”(项目编号:2022KCSZ011)阶段性成果。

摘　　要：以中国戏曲为代表的国粹是近年来文化类综艺节目创作的热点元素与热门题材。其中口碑较佳的戏曲类综艺节目层见迭出。2022年山东卫视的戏曲类综艺节目《戏宇宙》依托地域优势,首播立即受到广泛关注。但我国戏曲类综艺节目的整体发展仍面临部分困境。因而,在总结创新策略的同时,仍应回归一般层面。论文试以《戏宇宙》作为主要典例,以历时性和共时性相结合,从历史梳理、策略研讨和思辨展望三个层面,用由点及面、史论结合的方式论述我国电视戏曲类综艺节目整体的破域之径。The national essence represented by Chinese opera is a hot element and hot theme in the creation of cultural variety shows in recent years.Among them,the opera variety shows with better reputation have been focused on one after another,such as Very Dramatic by Oriental Satellite TV in 2007,China Opera Conference by CCTV Xiqu Channel in 2017,and Drama Dock by Hubei Satellite TV in 2018.On July 9,2022,Shandong Satellite TV’s Drama Universe based on geographical advantages received widespread attention at its premiere.However,in addition to the prosperous scenery,the overall development of China’s opera variety shows is still facing some difficulties.Therefore,while summarizing the innovation strategy,it is expected to return to the general level and discuss the overall path of China’s TV opera variety shows.Based on the logic of combining diachronic and synchronicity,this paper intends to discuss Chinese drama from three levels of historical combing,strategic discussion,and speculative prospecting,with Shandong Satellite TV’s opera variety show Drama Universe as the main example,and especially discusses it in a way that combines points and aspects and historical theories.

关 键 词：电视综艺节目 戏曲艺术 电视节目创作 

分 类 号：J9[艺术—电影电视艺术]