传统祥瑞织绣纹样的文化内涵及其在当代女装设计中的传承与应用  

The Cultural Connotation of Traditional Auspicious Embroidery Pattern and Its Inheritance and Application in ContemporaryWomen's Clothing Design

作　　者：张彬 ZHANG Bin

机构地区：[1]西安工程大学服装与艺术设计学院,陕西西安710048

出　　处：《民族艺林》2023年第1期104-113,共10页Journal of Ethnic Art

基　　金：国家社会科学基金艺术学项目“考古学视域下的宋代戏剧服饰研究”(项目编号:22CB165)的阶段性成果;陕西高校青年创新团队“中国传统服饰文化研究创新团队”的阶段性成果。

摘　　要：中国传统祥瑞织绣纹样不仅具有形式美和装饰美的艺术特征,同时其背后还蕴含着深邃的中国传统文化。传统祥瑞织绣纹样在中国历史长河中发展迅速、特色鲜明,真正做到了“图必有意”。本文以传统祥瑞织绣纹样的种类及其背后的文化内涵为经线,以当代女装设计及成功案例为纬线,进而深度剖析传统祥瑞织绣纹样的内在文化意义,以及与当代女装设计传承与应用的紧密关系,以期能为当代女装设计提供理论上的思考和实践上的借鉴。Chinese traditional auspicious weaving and embroidery patterns not only have the artistic characteristics of formal beauty and decorative beauty,but also contain profound Chinese traditional culture.The traditional auspicious weaving and embroidery patterns have developed rapidly and distinctive characteristics in the long river of Chinese history,truly realizing the“intention of the picture”.This paper took the types of traditional auspicious weaving and embroidery patterns and the cultural connotation behind them as the warp and the contemporary women’s clothing design and successful cases as the weft,and then deeply explored the close relationship between the internal cultural significance of traditional auspicious weaving and embroidery patterns and the inheritance and application of contemporary women’s clothing design,so as to provide theoretical thinking and practical reference for contemporary women’s clothing designers.

关 键 词：传统祥瑞织绣纹样 艺术特征 当代女装设计 传承与应用 

分 类 号：J20[艺术—美术]