牟利忠当代木雕作品创作风格研究  

On the Creative Style of Moulizhong's ContemporaryWood Carving Works

作　　者：王子云 覃莉 WANG Zi-yun;QIN Li

机构地区：[1]湖北民族大学美术与设计学院,湖北恩施445000

出　　处：《民族艺林》2023年第1期123-131,共9页Journal of Ethnic Art

基　　金：湖北民族大学南方少数民族研究中心“武陵山少数民族文化创意产业化发展研究”(项目编号:PT062002)阶段性成果。

摘　　要：以牟利忠木雕作品创作风格转变现象为切入点,将夏皮罗形式分析工具与列维-斯特劳斯的结构主义裂分表现理论相结合并引入社会阶层和民族文化因素研究中,对牟利忠当代木雕的表层形式与深层结构做意义分析,认为其作为鄂西南地区传统木雕创作风格转型的典例是承载着特定时代记忆的重要文化载体。希望该研究可改变将当代木雕简单归结为是对西方当代艺术的中国式模仿的偏见,为传统民族民间手工艺现代转型提供可资借鉴的案例。Taking the transformation of the creative style of the wood carving works of profit-making loyalty as the starting point,combining Shapiro’s formal analysis tool with Levi Strauss’s structuralist split expression theory,introducing social class/stratum and national cultural factors,this paper intends to make a significant analysis on the surface form and deep structure of its contemporary wood carving,and considers that as a typical example of the transformation of the creative style of traditional wood carving in southwest of Hubei,it is an important cultural carrier carrying the memory of a specific era,it is expected that the results of this study can change the prejudice that its contemporary wood carving is simply attributed to the Chinese imitation of western contemporary art,and provide a reference case for the modern transformation of traditional national and folk handicrafts.

关 键 词：牟利忠 当代木雕作品 风格研究 

分 类 号：J528[艺术—艺术设计]