艺术感受是强烈的、深远的——以越剧《祥林嫂》为例谈越剧音乐改革  

The Strong and Profound Artistic Appreciation: A Case Study of the Reform of Yue opera“Xian-glin Sao”

作　　者：施王伟 Shi Wangwei

机构地区：[1]浙江艺术职业学院 [2]浙江省文化厅非物质文化遗产保护专家委员会,杭州310059

出　　处：《音乐文化研究》2023年第1期19-25,3,共8页Music Culture Studies

摘　　要：20世纪40年代的越剧改革是一场全面的改革,既包括艺术上的改革,也包括体制、机制上的改革。艺术上的改革,音乐所起的作用不可小觑,具体表现在:创立[尺调]和[弦下调]以及一系列板式变化,伴奏从原来的三四人增加到十几人,专人作曲,演员定腔、定谱、定调。代表作品有《香妃》,电影《梁山伯与祝英台》《祥林嫂》等。文章以越剧《祥林嫂》为例谈越剧音乐改革,分三个方面:一是袁雪芬如何塑造祥林嫂这一人物;二是刘如曾如何为越剧《祥林嫂》编曲;三是越剧音乐改革之我见。希望新时期的越剧,继续高举改革大旗,创作出更多无愧于时代的新作品,奉献给人民。The comprehensive reform of Yue opera in the 1940s included artistic,institutional,and systemic changes.The role of music in artistic reform should not be underestimated.Specific changes included the creation of the"Chi Diao"and the"Xian Xia Diao"system,the tempo and rhythm,the number of accompanists from three or four to over ten,commissioned composers,and actors finalizing the tune,score and the key.Represent-ative works include"Xiang Fei(Fragrant Concubine)",the film"Liang Shanbo and Zhu Yingtai(Butterfly Lovers)"and"Xianglin Sao(Xianglin's Wife)".The article takes"Xianglin Sao"as an example to discuss the musical reform of Yue opera from three perspectives:how Yuan Xuefen portrays the character of Xianglin's wife,how Liu Ruzeng arranged the music and the author's own opinion on the music reform of Yue opera.The reform of Yue opera in the new era will continue and more new works worthy of the times will be created and dedicated to the people.

关 键 词：《祥林嫂》 袁雪芬 刘如曾 越剧音乐改革 

分 类 号：J617.5[艺术—音乐]