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作 者:张晓燕 Zhang Xiaoyan(School of Humanities,Hunan University of Science and Technology,Xiangtan Hunan 411201,China)
出 处:《衡阳师范学院学报》2023年第2期118-123,共6页Journal of Hengyang Normal University
基 金:国家社会科学基金(艺术学)青年项目“晚清民国福州演剧史论”(17CB179)。
摘 要:抗日战争爆发后,福建省抗敌后援会在福州成立且组建了省抗敌剧团。省抗敌剧团的活动由福州发展到闽北、闽东、闽南各地。在省抗敌剧团的影响下,福建各地的抗战戏剧运动非常兴盛,各类抗战剧团纷纷建立,抗战剧目大量涌现,相关记载见于媒体报端。作为一种战时戏剧运动,福建抗战戏剧运动存在演出条件艰苦、剧团发展不平衡、抗战剧目单一等问题。针对这些问题,戏剧工作者们进行了一系列改进实践,如提出“戏剧十人团”“集中演出法”等改进方法,对解决福建抗战戏剧运动存在的问题起到了一定作用。After the outbreak of the Anti-Japanese War,the Provincial Anti-Japanese Support Association in Fujian was established in Fuzhou and also the Anti-Japanese Theatrical Troupe was built.The troupe also went beyond Fuzhou to perform in the northern,east⁃ern,and southern parts of Fujian.Under the influence of the provincial anti-Japanese troupes,various types of anti-Japanese troupes were established.Relevant records can be found in the media reports.During the wartime,Fujian Anti-Japanese War Drama Movement faced many challenges such as difficult performance conditions,unbalanced development of the troupes.Therefore,the dramatists car⁃ried out a series of improvement practices,such as“Drama Troupe of Ten”and“Centralized Performance Method”,which played an im⁃portant role in the Fujian Anti-Japanese War Drama Movement.
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