论近代南北方民间肚兜图案艺术特征差异性——以江南和三晋为例  

On the Difference of the Artistic Characteristics of the Folk Belly Pocket Patterns between the North and the South in Modern Times--Taking Jiangnan and Shanxi as an Example

作　　者：赵玉 孔凡栋 ZHAO Yu;KONG Fan-dong(Academy of Art and Design,Anhui University of Technology,Maanshan Anhui 243032,China;International Institute of Fashion Technology,Zhejiang Sci-Tech University,Hangzhou Zhejiang 310018,China)

机构地区：[1]安徽工业大学艺术与设计学院,安徽马鞍山243032 [2]浙江理工大学国际时装技术学院,浙江杭州310018

出　　处：《武汉纺织大学学报》2023年第2期8-13,共6页Journal of Wuhan Textile University

基　　金：国家社科基金艺术学项目(20BG134);安徽工业大学青年基金项目(QS202106)。

摘　　要：肚兜是我国民间传统服饰之一,其中的图案艺术反映了不同地域范围内的人文精神和民俗信仰。本文选取了南方江南地区与北方三晋地区的肚兜图案,通过对两者的题材选取、造型语言、色彩搭配、构图艺术及工艺特色等方面的对比,总结出两地肚兜图案艺术风格的差异性,并结合各自地域空间内的自然环境和文化形态背景,详细分析了影响其艺术特征的生成因素,以期为南北方肚兜文化在当下时尚设计语境中的传承与发展提供一定的理论依据。Belly pocket is one of the traditional folk costumes in China.The pattern art reflects the humanistic spirit and folk belief in different regions.This paper selects the belly pocket patterns in the southern Jiangnan region and the northern Sanjin region.Through the comparison of the theme selection,modeling language,color matching,composition art and technological characteristics of the two regions,it summarizes the differences of the artistic styles of the belly pocket patterns in the two regions,and analyzes i n detail the factors affecting the artistic characteristics in combination with the natural environment and cultural form background in their respective regional spaces,In order to provide a theoretical basis for the inheritance and development of belly bag culture in the curr ent fashion design context.

关 键 词：肚兜 艺术特征 地域性差异 审美趣味 

分 类 号：J523[艺术—艺术设计]