徐懋庸前后期杂文创作比较  

Comparative Study of Xu Maoyong's Early and Later Essay Creation

作　　者：木金成 Mu Jincheng(School of Liberal Arts,Nantong University,Nantong Jiangsu 226004,China)

机构地区：[1]南通大学文学院,江苏南通226004

出　　处：《河北科技师范学院学报（社会科学版）》2023年第1期77-81,100,共6页Journal of Hebei Normal University of Science & Technology(Social Sciences)

摘　　要：徐懋庸的杂文创作主要集中在20世纪30年代和50年代。其前期的杂文作品以鲁迅为指引,以“左联”为依托,题材丰富,言辞犀利,通俗易懂;其后期的杂文集思辨性、形象性和战斗性于一体,在继承前期风格的基础上又有所改变和发展,即除了讽刺社会黑暗面之外,加入了对社会光明面的歌颂,提高了杂文的社会功用性,其杂文对人民大众的关怀与同情,也展现出杂文人民性的一面;艺术上,徐懋庸后期杂文具有浓厚的马克思主义唯物辩证特质,表现为对事物的分析更加深刻。此外,徐懋庸以自身创作实绩延续并发展了“鲁迅风”杂文,使其在新中国初期摆脱了消亡的危机,并重新焕发生机。Xu Maoyong,s essays were mainly created in the 1930s and 1950s.His early essays,guided by Lu Xun and supported by the"Leftist League",are rich in themes,sharp in words and easy to understand;His later essays are speculative,visual and militant.On the basis of inheriting the earlier style,his later essays have changed and developed.That is,in addition to satirizing the dark side of society,they have joined the praise of the bright side of society,improving the social fiinction of the essays.His essays show concern and sympathy for the people,and also show the people‘s side;In terms of art,Xu Maoyong's essays in his later period have a strong Marxist materialistic dialectical characteristic,which is reflected in a more profound analysis of things.In addition,Xu Maoyong continued and developed the“Lu Xun Style”essays with his own creative achievements,which made them get rid of the crisis of extinction in the early days of New China and rejuvenate.

关 键 词：徐懋庸 杂文 “鲁迅风” 

分 类 号：I209[文学—中国文学]