新时期以来史剧观的深化与史剧理论建构的委顿  

The Deepening of the View on Historical Drama in the New Era and the Fatigue in the Construction of the Theory of Historical Drama

作　　者：伏涤修 Fu Dixiu(Creation of Historical Themesin Chinese TraditionalOpera,Hangzhou,Zhejiang,31001)

机构地区：[1]浙江传媒学院浙江省影视与戏剧研究中心,浙江杭州310018

出　　处：《民族艺术研究》2023年第2期5-15,共11页Ethnic Art Studies

基　　金：国家社科基金艺术学重大项目“中国戏曲历史题材创作研究”(项目批准号:20ZD23)的阶段性研究成果。

摘　　要：新时期以来,历史剧创作较之以往有了长足的发展、进步,人们对历史剧的见解也越来越深化、多元。在历史剧与现实的关系上,从政治化的“古为今用”的创作观念到注重“现代意识”“主体意识”;在历史剧与历史的关系上,从强调“历史真实”进而提出以“历史可能性及假定性”为基础;在历史剧与艺术虚构的关系上,从“历史表现需要”到拒绝史学奴役的“历史审美需要”。但同时也应该看到史剧理论体系建构在近几年呈现出委顿状态:新史剧观的表述不够系统完整,对于后现代史学对文艺创作的影响基本处于茫然、漠视状态,新史剧观对历史剧创作只是提供了可能性、或然性而非必然性,传统史剧观影响依然巨大。The creation of historical drama in the new era has made noticeable development and improvement.People\s understanding on historical drama is deepened and diversified.In regard to the relationship between historical drama and reality,the politicized creation notion“ancient is used for present”has been changed to“modern awareness”and“awareness of subject”.In regard to the relationship between historical drama and history,the emphasis on“historical authenticity”has been changed to“historical possibility and assumption”.In regard to the relationship between historical drama and artistic fiction,“history expresses needs”has been changed to“history needs aesthetics”which refuses the manipulation of history.At the same time,fatigue can be seen in the theoretical construction of historical drama in recent years.For example,the expression of the view of new historical drama is incomplete so that its influence on the creation of literature and arts in post-modern history is weak.New view on historical drama provides the creation of historical drama with possibilities or probabilities,but not inevitability;therefore,the influence of the tradition view on historical drama is still large.

关 键 词：史剧观 现代主体意识 历史可能性 历史假定性 历史审美真实 

分 类 号：J80[艺术—戏剧戏曲]