类型探索与返归民间--20世纪80年代初娱乐片创作的再思索  

Exploring Type and Returning to the Folk:Rethinking the Creation of Entertainment Film in the Early 1980s

作　　者：胡鹏飞 陈阳[1] Hu Pengfei;Chen Yang(the School of Literature,Renmin University of China,Beijing,100872)

机构地区：[1]中国人民大学文学院,北京100872

出　　处：《民族艺术研究》2023年第2期101-109,共9页Ethnic Art Studies

基　　金：中国人民大学2022年度拔尖创新人才培育资助计划成果。

摘　　要：张华勋导演20世纪80年代初创作的作品是其时娱乐片高潮中影片的重要组成部分,其创作实践受到80年代初文化心理和电影生产发行机制的影响,形成了独特的艺术特征。自觉的民间文化意识和朦胧的类型电影意识呈现为其主要特征,这充分反映出80年代大众对于外来文化的矛盾心态。80年代初娱乐片的民间文化倾向是这一时期电影民族化探讨相对被忽略的方面。21世纪,类型电影的发展需要协调民族化和类型化两种倾向,既要不断回到丰厚的民间文化土壤中,也要不断重构类型电影的边界。The works created by director Zhang Huaxun in the early 1980s were an important part of the high tide of entertainment films at that time.His creative practice was influenced by the cultural psychology and film production and distribution mechanism in the early 1980s so that a unique artistic feature can be seen.The main characteristics of his films include a conscious awareness of folk culture and a hazy presentation of genre film consciousness,which fully reflects the public\s ambivalence towards foreign culture in the 1980s.The folk cultural tendency in entertainment films in the early 1980s is a relatively neglected aspect of film nationalization in this period.In the 21st century,the development of genre films needs to coordinate two tendencies of nationalization and categorization,which means that it is not only necessary to constantly return to the rich folk culture soil,but also to constantly reconstruct the boundaries of genre films.

关 键 词：类型电影 娱乐片 民间文化 民族化 

分 类 号：J902[艺术—电影电视艺术]