中国电影的叙事问题及理论创新--2022年第六届中国电影文学学会剧作理论研讨会综述  

Issues of Narration and Theoretical Innovation of Chinese Films:Review on the 6th Symposium of China Film Literature Society on Drama Creation Theories in 2022

作　　者：杨晓林[1] 苗宁 Yang Xiaoin;Miao Ning(the Institute of Films,Tongji University,Shanghai,200092;the School of Design Creativity,Tongji University,Shanghai,200092;Nanyang Normal University)

机构地区：[1]同济大学电影研究所,上海200092 [2]同济大学设计创意学院,上海200092 [3]南阳师范学院

出　　处：《民族艺术研究》2023年第2期110-115,共6页Ethnic Art Studies

摘　　要：在党的二十大报告“推进文化自信自强,铸就社会主义文化新辉煌”的背景下,就国产电影的叙事个案、跨文本和跨文化叙事、叙事新现象新问题、中国电影叙事传统、动画和微电影叙事进行研究,助力和推进中国电影叙事学理论创新,可以为提高国产影片艺术质量、扩大国产影片影响力做出一定贡献。In the background of“advancement of cultural confidence,forging new glory of socialist culture”as pointed out in the report of the 20th National Congress of the Communist Part of China,this paper studied on issues as following:cases of narration of Chinese films,crosstextual and crosscultural narration,new phenomenon and new issues of narration,the tradition of narration of Chinese films,and narration of animation and micro films.This paper aims to help and promote the theoretical innovation in narratology in Chinese films so as to upgrade the artistic quality of Chinese films,as well as to enlarge the impact of Chinese films.

关 键 词：中国电影叙事 跨文本和跨文化叙事 叙事传统 理论创新 

分 类 号：J904[艺术—电影电视艺术]