数字化背景下非物质文化遗产纪录影像的叙事研究  

Narrative Study of the Record Images of Intangible Cultural Heritagein the Digital Background

作　　者：杨国兴 李烨 Yang Guoxing;Li Ye(School of Literature and Cmmunication,Yunnan Minzu University,Kunming,Yunnan,650504)

机构地区：[1]云南民族大学文学与传媒学院,云南昆明650504

出　　处：《民族艺术研究》2023年第2期116-125,共10页Ethnic Art Studies

基　　金：国家社会科学基金项目“边疆民族地区非物质文化遗产传承与保护的影像参与研究”(项目批准号:15BMZ034)的阶段性研究成果。

摘　　要：以影像的方式呈现非物质文化遗产,是新时代传承和传播非物质文化遗产的选择。通过影像作品,媒介将其信息以广泛的传播途径客观地进行呈现。在这一过程中,在纪录影像常见的“客观记录”基础上,“口述历史”“故事切入”“情景再现”等叙事手法也被运用到影像作品中,其叙事方式呈现出多元化的趋势。随着社会的发展和“数字化”时代的到来,新媒体影像作品呈现出叙事结构简单直接、节奏紧凑、强调可视性和内容针对性等叙事特征,“非遗”纪录影像的创作手法也应当从细节把握、节奏变化、画面审美、视听元素配合等方面进行相应提升和优化,以适应媒介和受众的变化,实现通过影像作品助力非物质文化遗产传承与保护的初衷。Presenting intangible cultural heritage in the form of images is the choice of inheriting and disseminating intangible cultural heritage in the new era.Through visual works,media can objectively present intangible cultural heritage information in a wide range of communication channels.In this process,in addition to the common“objective recording”of recorded images,narrative techniques such as“oral history”,“story telling”,and“scene reproduction”are also applied,and the narrative style shows diversified trends.With the development of society and the arrival of the“digital”era,new media image works exhibit four narrative characteristics:the narrative structure is simple and direct,the rhythm is compact,visibility is strong and the content is well designed.The creation methods of“intangible cultural heritage”record images should also be improved and optimized from theses aspects:details,rhythm change,picture aesthetic,audiovisual elements coordination and so on,so as to adapt to the changes of media and audiences,and to realize the original intention of helping the inheritance and protection of intangible cultural heritage through visual works.

关 键 词：数字化 非物质文化遗产 影像叙事 新媒体 创作手法 

分 类 号：J904[艺术—电影电视艺术]