清雅素丽:宋代一色漆器的造物美学文化研究  

Elegance and simplicity:A study of the aesthetic culture of lacquerware in Song Dynasty

作　　者：周白韬[1] Zhou Baitao

机构地区：[1]长沙民政职业技术学院艺术学院,湖南长沙410000

出　　处：《中国生漆》2023年第1期24-26,33,共4页Journal of Chinese Lacquer

摘　　要：本文以宋代最为代表性的漆器品种一色漆器为研究对象,立足其造物美学文化的研究,系统围绕一色漆器产生的社会原因、宋人造物智慧及文人审美风尚对漆饰风格表现的影响,进行了较为详细的论述。宋代一色漆器的形成与发展,反映了宋代社会整体存在的含蓄、真实、平淡审美意识,体现了中华民族杰出的造物智慧和优雅的审美情感。研究一色漆器旨在启迪大众传承传统漆艺文化,实现对传统生漆文化的创造性转化和高质量发展,从而进一步增强对民族文化的高度认同感、归属感。Monocolor lacquerware,the most representative lacquer ware in Song Dynasty has its unique aesthetic culture.The article makes a detailed points on the social reasons for the creation of lacquerware,the influence of the wisdom of the Song people and the aesthetic style of the literati on the style of lacquer decoration.The formation and development of the monocolor lacqueware in Song dynasty lacquerware reflects the subtle,realistic and plain aesthetic consciousness existed in Song dynasty and also reflects the outstanding material wisdom and elegant aesthetic emotions of the Chinese people.The study on monocolorlacquerware aims to enlighten the public to inherit traditional lacquer culture and achieve creative transformation and high-quality development of traditional lacquer culture,thus further enhancing a high sense of identity and belonging to the national culture.

关 键 词：美学 圈叠胎 文人 造物 

分 类 号：J527[艺术—艺术设计] K876.7[历史地理—考古学及博物馆学] K244[历史地理—历史学]