匈人王后克里姆希尔德之复仇——《尼伯龙人之歌》“勃艮第覆灭”历史溯源研究  

Kriemhild’s Revenge:On the Historical Basis of the Second Part of the Nibelungenlied,The Fall of the Burgundians

作　　者：李睿 LI Rui(School of Foreign Languages,Peking University,Beijing 100871,China)

机构地区：[1]北京大学外国语学院,北京100871

出　　处：《同济大学学报（社会科学版）》2023年第2期10-16,共7页Journal of Tongji University:Social Science Edition

摘　　要：中古英雄史诗《尼伯龙人之歌》是德语中世纪文学的重要作品,史诗素材主要包括历史、神话、童话及已成型的英雄传说等。德国中古学界在19世纪上半叶开始了对史诗的历史溯源研究,即:尝试通过将史诗情节与历史事件进行对比,并结合古德语姓名学研究,还原史诗主要人物在历史中可能的原型。历史溯源研究揭示出中古英雄史诗所呈现的“去历史化”趋势。史诗是对历史的重新诠释。在史诗中,民族集体命运转化为英雄个人命运,匈人王后克里姆希尔德并非对某一特定历史人物的形象塑造,而是在几个世纪中成长起来的诗意创造。As a representative high medieval heroic epic,Nibelungenlied naturally has complex source materials.The Nibelungen material mainly comprises historical events,myths,fairy tales and heroic epics(e.g.already formed heroic sagas).In the first half of the 19th century,the German Medi vistik community began the study of the historical traceability of epic,that is,trying to compare the epic plot with historical events and combine the research of the ancient German names to restore the epic protagonists’possible prototype in history.The study of historical traceability reveals the trend of“de-historicization”presented by medieval heroic epics.An epic is a reinterpretation of history.There is a tendency to dehistoricize and privatize history.I.e.,in heroic poetry the underlying events will be reduced to individually human problems.It is about the tragic fates of individual personalities.The protagonists Kriemhild in Nibelungenlied are not the image creation of a specific historical figure,but a poetic creation that has grown up over the centuries.

关 键 词：《尼伯龙人之歌》 中古高地德语 英雄史诗 英雄传说 中世纪 

分 类 号：I516.73[文学—其他各国文学]