论鲁迅《故事新编》的神话重写  

Lu Xun’s Rewriting of the Myth in the Old Tales Retold

作　　者：祝宇红[1] ZHU Yuhong(School of Humanities,Tongji University,Shanghai 200092,China)

机构地区：[1]同济大学人文学院,上海200092

出　　处：《同济大学学报（社会科学版）》2023年第2期97-106,共10页Journal of Tongji University:Social Science Edition

摘　　要：鲁迅《故事新编》用两种不同笔墨重写了两类神话人物:以灿烂、瑰奇的风格描写“神格”的女娲;以更多掺杂油滑和审视语调的笔触讲述更具“人性”的后世“新出之神”。鲁迅对神话的重写体现了他的神话观和宗教观,其与德国浪漫派的“新神话”观念、日本明治时期学者姉崎正治致力于文明探究的神话学理念都有着深刻联系。Lu Xun’s Gu shi xin bian(Old Tales Retold)rewrote two kinds of mythical characters in two different ways.He described Nuwa as a divine character in a brilliant and marvelous style.Lu Xun narrated the stories of the new gods of later generations with more human nature in the touch of greasiness and careful intonation.Lu Xun’s rewriting reflected his views on mythology and religion,which were deeply related to the new myth idea of the German Romanticism and the mythological concept of Masaharu Anesaki,a scholar in the Meiji period of Japan.

关 键 词：鲁迅 “神格” “绝地天通” 德国浪漫派 姉崎正治 

分 类 号：I210.6[文学—中国文学]