王嫱与毛嫱的美人争胜——以典故运用为中心  

Beauty Competition of Wang Qiang and Mao Qiang:Focus on the Use of Allusions

作　　者：巫梦晓 许中康 WU Mengxiao;XU Zhongkang(Xinyang Normal University,Xinyang 464000,China)

机构地区：[1]信阳师范学院,河南信阳464000

出　　处：《商丘职业技术学院学报》2023年第2期37-40,共4页JOURNAL OF SHANGQIU POLYTECHNIC

基　　金：2022年度河南省哲学社会科学规划项目“中国古代小说‘倚夜’结纂现象研究”(2022CWX046)。

摘　　要：先秦美女毛嫱对汉代王嫱形象的塑造具有重要影响。随着昭君出塞故事的广泛传播以及王嫱貌美形象特征的不断强化,在与西施并举的用典习惯上存在一个王嫱取代毛嫱的过程,并于明清时期达到鼎盛。曹雪芹《警幻仙姑赋》误读《神女赋》中的“毛嫱”为“王嫱”,是明清文人用典习惯上的一个典型案例。Early Qin dynasty Mao Qiang influenced the molding of Wang Qiang in the Han Dynasty.With the widespread spread of the story of Zhao Jun and the continuous strengthening of the characteristics of Wang Qiang,there was a process of substituting Wang Qiang for Mao Qiang in the habit of using the same story as Xishi,and it reached its peak in the Ming and Qing Dynasties.Cao Xueqin misread Mao Qiang in Fairy fu as Wang Qiang in Jinghuanxiangu Fu,which is a typical case of literati in Ming and Qing Dynasties.

关 键 词：《警幻仙姑赋》 《神女赋》 毛嫱 王嫱 用典 

分 类 号：I207.2[文学—中国文学]