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作 者:刘瑜[1] LIU Yu(School of Art,ChongQing University,Chongqing,401331)
机构地区:[1]重庆大学艺术学院,重庆401331
出 处:《湖南包装》2023年第2期45-50,共6页
基 金:中央高校基本科研业务费(2022CDSKXYYS002)。
摘 要:抗战大后方漫画运动是发生在抗日战争救亡图存时代背景下的文艺救国运动,运动范围广,介入历史进程深,社会影响力大,是我国近现代美术史上的重要篇章。文章对抗战大后方漫画运动进行较为全面的梳理,并依据抗战时期的漫画设计文献理论对抗战漫画的设计主题与特色进行详细梳理与分析,以客观勾勒还原抗战漫画运动的整体面貌。The Manga Movement in the Rear Area of the War of Resistance Against Japan is a literary and artistic national salvation movement that took place under the background of the Anti-Japanese War.It has a wide range of movements,deep involvement in the historical process,and great social influence.It is an important chapter in the history of modern art in my country.This article sorts out the Manga movement in the rear area of the Anti-Japanese War comprehensively,and analyzes the design themes and characteristics of the anti-Japanese Manga in detail according to the comic design literature theory during the Anti-Japanese War period,so as to objectively outline and restore the overall appearance of the anti-Japanese Manga movement.
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