《日出》中的空间书写  

On the Space Writing in Sunrise

作　　者：胡芮 HU Rui(Department of Chinese Language and Literature,Ji’nan University,Guangzhou 510632,China)

机构地区：[1]暨南大学中国语言文学系,广东广州510632

出　　处：《苏州教育学院学报》2023年第2期95-101,共7页Journal of Suzhou College of Education

摘　　要：曹禺的《日出》以旅馆、三等妓院宝和下处为主要场所,描绘了活动其间的各色人物,而透过旅馆的“窗户之眼”,所及之处更是给读者呈现了都市空间的横切面。作者借人物与空间形成的同构性关系展开了都市文明批判。而主人公陈白露幻想中的家空间与旅馆空间相映照的隐喻,反映了城、乡之间的价值、文化冲突。最后,作者将两大空间并置,展开阶级话语批判,揭露了底层民众的生存困境和半殖民地半封建社会中都市华丽外表下的“吃人”本质。Cao Yu’s Sunrise focuses on hotels and third-class brothels as the main settings,and depicts various characters living wherein.The“window eyes”of hotels displayed to readers a cross-section of urban space.The author criticizes urban civilization through the isomorphic relationship formed between characters and space.The metaphorical contrast between home space and hotel space in the protagonist Chen Bailu’s fantasy reflects the conflicts of values and culture between urban and rural areas.Finally,the author juxtaposes the two major spaces,launches a critique of class discourse,and revealed the survival difficulties of the lower class and the“man-eating”nature beneath the glamorous appearance of cities in a semi-colonial and semi-feudal society.

关 键 词：《日出》 曹禺 陈白露 空间书写 阶级话语批判 

分 类 号：I206.6[文学—中国文学]