传统工笔人物画元素在文创丝巾中的设计应用研究——以王叔晖《西厢记》为例  

RESEARCH ON THE DESIGN AND APPLICATION OF TRADITIONAL METICULOUS FIGURE PAINTING ELEMENTS IN CULTURAL AND CREATIVE SILK SCARF—TAKING WANG SHUHUI'S"WEST CHAMBER"AS AN EXAMPLE

作　　者：石雨霏 章海虹 SHI YUFEI;ZHANG HAIHONG

机构地区：[1]浙江理工大学服装学院 [2]浙江省丝绸与时尚文化研究中心

出　　处：《设计》2023年第7期8-11,共4页Design

摘　　要：工笔人物画是中国画传统画科的一种。随着时代不断变迁,寻求适应当下流行的传播形式成为弘扬传统工笔人物画的重点。本文通过对传统工笔人物画的艺术特色进行分析,以王叔晖大师《西厢记》系列作品为例,提取其中典型元素进行图案设计,运用对称、连续、反复等构图方式,结合中国传统色彩观念,再设计于文创丝巾图案中。拓展了现代文创丝巾图案设计思路,也为传统工笔人物画在当代的传播形式提供了一定的启发意义。Meticulous figure painting is a kind of traditional Chinese painting.With the continuous changes of the times,seeking to adapt to the current popular communication form has become the focus of promoting traditional fine brushwork figure painting.This article analyzes the artistic characteristics of traditional meticulous figure paintings,taking Wang Shuhui's"West Chamber"series of works as an example,extracting typical elements from them for pattern design,using symmetrical,continuous,and repetitive composition methods,combined with traditional Chinese color concepts,and redesign In the cultural and creative silk scarf pattern.It expands the design ideas of modern cultural and creative silk scarves,and also provides a certain inspiration for the contemporary communication form of traditional meticulous figure paintings.

关 键 词：工笔人物 丝巾 设计 应用 传统艺术 

分 类 号：J52[艺术—艺术设计]