形状文法下隋唐敦煌飞天形象在文创设计中的应用  

THE DESIGN OF DUNHUANG FLYING APSARAS IN CULTURAL AND CREATIVE PRODUCT UNDER THE SHAPE GRAMMAR OF SUI AND TANG DYNASTIES

作　　者：张倍鸣 缪玲 ZHANG BEIMING;MIAO LING

机构地区：[1]南京林业大学艺术设计学院

出　　处：《设计》2023年第9期118-121,共4页Design

基　　金：江苏省社科应用研究精品工程(22SYC-081)。

摘　　要：隋唐敦煌飞天宏伟瑰丽,将其独特的形象特点和艺术想象融入文创设计,从而实现敦煌飞天文化的传承与创新。对敦煌飞天形象的造型特征、色彩特征、图案元素进行分析,提取线条,运用形状文法对提取出来的装饰图案进行推演设计;对隋唐敦煌飞天的主体形象进行Q版化再设计、与装饰图案结合,从而得到适用于文创设计的图案。验证了隋唐敦煌飞天形象通过形状文法的推演设计应用于文创设计中的可行性,使敦煌文化与现代生活中的文创产品相结合,拉近了大众与敦煌美学的距离,将中国传统美学精神氤氲于大众生活中,促进敦煌文化乃至中国传统文化的发展传播,增强了民族文化自信。The apsaras of Dunhuang in Sui and Tang Dynasties are magnificent and magnificent,with unique image characteristics and artistic imagination.By integrating them into cultural and creative design,we can realize the inheritance and innovation of Dunhuang Apsaras culture.Methods:Shape grammar was used to analyze the shape features,color features and pattern elements of the Dunhuang flying apsaras.Lines were extracted and the decorative patterns were deduced and designed by shape grammar.The main image of Dunhuang apsaras in Sui and Tang Dynasties was redesigned by Q-version and combined with decorative patterns,so as to obtain patterns suitable for cultural and creative design.Conclusion:The feasibility of shape grammar in the application of apsaras of Dunhuang in Sui and Tang dynasties to cultural and creative design is verified by deductive design,which can combine the mysterious and splendid Dunhuang culture with the cultural and creative products in modern life,narrow the distance between the public and Dunhuang aesthetics,and enhance the confidence of national culture by injecting the spirit of traditional Chinese aesthetics into the public life.To promote the development and dissemination of Dunhuang culture and even traditional Chinese culture.

关 键 词：敦煌飞天 形状文法 Q版 文创产品 文化 

分 类 号：J524[艺术—艺术设计]