室内音乐表演体验与青年学生的自我认同构建  

The Experience of Indoor Musical Performance and Young Students'Construction of Self Identity

作　　者：郭之天 董子怡 詹可 Guo Zhitian;Dong Ziyi;Zhan Ke

机构地区：[1]华中师范大学社会学院

出　　处：《青年研究》2023年第2期62-71,96,共11页Youth Studies

摘　　要：观看室内音乐表演成为部分青年学生的一种新兴生活方式。研究发现,生活方式的选择是他们构建自我认同的重要方式,也是在现代性背景下面对生活困惑所作出的积极调适。通过对18位爱好者、表演者和运营者的深度访谈,发现青年群体在面对生存压力、身体规训和消费的无意义感等生活困惑时,室内音乐表演以身体解放以及理想关系建构的方式,在特定时空内缓解了他们的焦虑,重新构建了他们的自我认同。但室内音乐表演在发展过程中存在过度商业化倾向,有可能消解其积极作用。For some young students,watching indoor musical performance has become an emerging lifestyle.The selection of lifestyle is an important way to construct self⁃identity,it's also the youth group's positive accommodation when they face life dilemmas in the context of modernity.Through in⁃depth interviews with 18 spectators,performers and operators,we have the following findings:when facing life dilemmas like survival pressure,body discipline and sense of consumption meaninglessness,etc.,the indoor musical performance could adopt the way of body emancipation and the construction of ideal relationship,relieve their anxiety in specific time and space,and reconstruct their self⁃identity.However,in the development process of indoor musical performance,there exists the tendency of over⁃commercialization,which could dissolve its positive role.

关 键 词：现代性 自我认同 生活政治 室内音乐表演 

分 类 号：J632.60[艺术—音乐] G444[哲学宗教—心理学]