新文学发生期彝族诗人余达父的旧诗写作研究  

A Study of Yi Poets'Old Poetry Writing in the Period of New Literature

作　　者：周军 张学立 ZHOU Jun;ZHANG Xue-li(College of Literature,Minnan Normal University,Zhangzhou,Fujian 363000,China;Guizhou Academy of Social Sciences,Guiyang,Guizhou 550002,China)

机构地区：[1]闽南师范大学文学院,福建漳州363000 [2]贵州省社会科学院,贵州贵阳550002

出　　处：《贵州民族研究》2023年第2期65-70,共6页Guizhou Ethnic Studies

基　　金：教育部哲学社会科学研究重大课题攻关项目“彝族古歌整理与研究”(项目编号:19JZD031);国家社科基金一般项目“新诗写作背景下的旧体诗研究(1917-1927)”(项目编号:15BZW177)的阶段性成果。

摘　　要：新文化运动兴起以来,随着新文学合法地位的不断攀升,现代旧体诗被现代文学史所“遮蔽”的情况日益加深,而近年来学界对旧体诗的持续关注,旧体诗的历史积尘得以拂拭。不过,学界对少数民族文人所作旧体诗展开的研究还聚焦乏力。在新文学发生期语境下对少数民族文人的旧体诗写作展开考察,不仅能够丰富现代旧体诗的写作样貌认知,而且有助于在多民族文化视野下建构更为完整的现代中国诗歌史。曾留学海外的彝族诗人余达父在诗歌写作中回避了本民族的语言,也没有尝试现代汉语的新诗写作,而是选择了旧体诗写作,这很是具有类型意义。其诗不仅在呈现传统与现代性双重面相之外,还出现了族裔文化身份缺失的现象,其中缘由也颇有考察的群体文化价值。Since the rise of the New Culture Movement,as the legal status of new literature has continued to rise,modern old-style poetry has been increasingly"covered"by the history of modern literature.Historical dust has been removed.However,the academic research on old-style poems written by minority literati is still lacking in focus.In the context of the occurrence of new literature,the investigation of the writing of old-style poetry by minority literati can not only enrich the cognition of moderm old-style poetry writing,but also help construct a more complete modern under the multi-ethnic cultural perspective.History of Chinese Poetry.The Yi poets who have studied abroad avoided the language of their own people in their poetry writing,and did not try modern Chinese new poetry writing,but chose the old style poetry writing,which has very typological significance.In addition to presenting the dual aspects of tradition and modernity in his poems,there is also a phenomenon of lack of ethnic cultural identity,and the reasons for this also have considerable group value for investigation.

关 键 词：余达父 现代性 文化身分 旧体诗 中国式现代化 

分 类 号：I207.2[文学—中国文学]