从“东北”到“东北故乡”——论郑执小说集《仙症》中“走出东北”的叙事模式  

From“Northeast”to“Northeast Hometown”——On the Narrative Mode of“going out of northeast”in ZHENG Zhi’s Fairy Disease

作　　者：张逸群 吴金梅[1] ZHANG Yiqun;WU Jinmei(Dalian University,Dalian 116622,China)

机构地区：[1]大连大学,辽宁大连116622

出　　处：《金华职业技术学院学报》2023年第2期51-58,共8页Journal of Jinhua Polytechnic

基　　金：2021年度辽宁省经济社会发展研究课题“辽宁工业文化形象与精神研究”(2021lsljdybkt-001)。

摘　　要：郑执的小说创作,“父亲”和“东北”在其写作脉络中有着举足轻重的意义。在小说集《仙症》中,“走出东北”作为一种叙事模式,承担着现实突围和自我放逐的功能,但其“出走”既昭示了突围的可能,也存在着限制,出走的“子一代”以“迟到的追认”召唤历史连续性。《森中有林》标示了“续写东北”的转向标志,其中新登场的“孙一代”通过对历史的反叛,逃逸出了共同体写作的语境。从而使“东北老工业基地”的能指脱落,“东北故乡”则获得了游走的可能性,展现出了当代东北书写“从父辈走向吾土吾民”的前景。Throughout ZHENG Zhi’s novel creation,“father”and“northeast”have pivotal significance in his writing vein.In the collection of Faerie Disease,“out of the northeast”,as a narrative mode,bears the function of realistic breakthrough and self-exile,but its“out of the northeast”not only indicates the possibility of breakthrough,but also has limitations,the running-away generation calls for the continuity of history by“late recognition”.“forest in the forest”marks the turning sign of“continuing to write the northeast”,in which the new“grandchildren”escapes from the context of community writing by rebelling against history.thus,the signifier of“northeast old industrial base”falls off,and“northeast hometown”gains the possibility of wandering,showing the prospect of“from father generation to our native people”in contemporary northeast writing.

关 键 词：郑执 《仙症》 铁西三剑客 走出东北 续写东北 

分 类 号：I207.42[文学—中国文学]