产品语义视角下汉代漆器纹样设计  

Design of lacquer ware in the Han Dynasty from the perspective of product semantics

作　　者：张小燕 杨惠茗 ZHANG Xiaoyan;YANG Huiming(School of Design·Straits College of Engineering,Fujian University of Technology,Fuzhou 350118,China;Regional Intangible Cultural Heritage and Design Research Center in Fujian University of Technology,Fuzhou 350118,China)

机构地区：[1]福建工程学院设计学院·海峡工学院,福建福州350118 [2]福建工程学院地域非遗文化传承与设计研究中心,福建福州350118

出　　处：《福建工程学院学报》2023年第2期140-145,共6页Journal of Fujian University of Technology

基　　金：2022年度福建省社会科学基金项目(FJ2022B124);2022年福建省教育科学“十四五”规划课题(FJJKBK22-199);2021年福州市社会科学规划项目(2021FZC41)。

摘　　要：汉代漆器纹样是我国宝贵的艺术财富,具有深厚的历史文化底蕴和地域民族特征。利用产品语义学,对汉代漆器表面纹样进行解析和再设计,总结纹样的外延语义和内涵语义,利用传播学理论寻找漆器纹样语义在现代的表达途径。利用现代设计方法实现漆器纹样元素的提取和再设计,并将图案元素应用到文创产品中,实现汉代漆器纹样语义的有效传播,为传统符号元素融入现代社会提供了参考路径。The pattern of lacquer ware in the Han Dynasty is the precious artistic treasure of China,which has deep historical cultural deposits and regional characteristics.Based on product semantics,the patterns on the surface of lacquer ware in the Han Dynasty were analyzed and redesigned,and the denotation semantics and connotation semantics of the patterns were summarized,and the communication theory was used to find the way to express the semantics of lacquer patterns in modern times.Finally,the method of modern design was used to extract and redesign the pattern elements of lacquer ware,and the pattern elements were applied to cultural and creative products.It realizes the effective dissemination of the semantics of the Han Dynasty lacquer patterns,and provides a reference path for the integration of traditional symbolic elements into modern society.

关 键 词：产品语义 汉代漆器 纹样 现代设计 

分 类 号：J51[艺术—艺术设计]