罗兰·巴特神话学视域下《小妖怪的夏天》的物符号研究  

A Study on Object Symbols in Nobody from the Perspective of Roland Barthes’ Mythology

作　　者：刘嘉文 LIU jia-wen(college of liberal arts,Harbin Normal University,Harbin 150025)

机构地区：[1]哈尔滨师范大学文学院,黑龙江哈尔滨150025

出　　处：《湖北工业职业技术学院学报》2023年第2期81-84,共4页Journal of Hubei Industrial Polytechnic

摘　　要：《中国奇谭》第一集《小妖怪的夏天》讲述了一个底层小猪妖的故事,这部短片中自始至终贯穿的一个物符号就是葫芦。《西游记》故事与大众媒体的传播形成了两个以物符号葫芦为起点的多级意指系统,这两个系统的涵指分别形成了法力符号和母爱符号,这个意义生成的过程就是罗兰·巴特所说的现代神话、大众神话。这两种符号表面上是偏向于矛盾的叙事,但是其背后有着不同的语境张力,而且共有的底层逻辑都指向了“反英雄”叙事。The first episode of Yao-Chinese Folktales,Nobody,tells the story of a low-level piggy monster.One object symbol calabash can be found throughout the short film.The story of Journey to the West and the dissemination of mass media have formed two multi-level signifying systems starting from the object symbol calabash.The allusions of these two systems have respectively formed the symbol of magic power and the symbol of maternal love.The process of the generation of this meaning is the modern myth or popular myth mentioned by Roland Barthes.On the surface,the two symbols tend to be contradictory narratives,but there are different contextual tension behind them and the common underlying logic points to the"anti-hero"narrative.

关 键 词：中国奇谭 罗兰·巴特 反英雄 现代神话 符号学 

分 类 号：J905[艺术—电影电视艺术]