中国灰姑娘故事婚姻叙事规则  

The Narrative Rules of Marriages in Chinese Cinderella Stories

作　　者：严曼华 Yan Manhua

机构地区：[1]北京师范大学文学院

出　　处：《艺术与民俗》2023年第1期48-58,共11页Journal of Arts and Folklore

摘　　要：中国灰姑娘故事以“婚姻”为叙事核心,围绕“婚姻”,灰姑娘故事中的有效叙事以“加害”和“帮助”为主要驱动进行讲述。随着故事情节的推进,叙事波折不断增大,叙事节奏力度不断加强,极大满足了听众的期待视野。在既定期待视野满足的基础上,故事若想围绕主人公继续向前发展,其叙事波折应当不小于此前情节所造成的叙事波折。而故事中的无效叙事则是对部分情节的进一步补充,同时,加诸无效叙事中的地域叙事传统为无效叙事进入故事提供了可能。在有效叙事与无效叙事的共同作用下,中国灰姑娘故事表现出形态复杂而结构多样的特点。Chinese Cinderella stories take"marriage"as the narrative core.Revolving around"marriage",the effective narration of a story is mainly driven by"persecuting"and"helping".As the plot moves on,the narrative confict dramatizes,and the narrative pace strengthens,greatly meeting the audience's expectations.After satisfying the established expectation horizon,if the story aims to develop further around the protagonist,its narrative confict should not be less than the previous plot's.At the same time,regional narrative traditions make it possible for invalid narration to enter a story,which is supplementary to some plots.Under the joint work of effective and invalid narratives,Chinese Cinderella stories are characterized by complex forms and diversestructures.

关 键 词：灰姑娘故事 期待视野 有效叙事 无效叙事 

分 类 号：K890[历史地理—民俗学]