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作 者:陈红旗 CHEN Hongqi(College of Humanities,Hainan University,Haikou 570228,China)
出 处:《南昌师范学院学报》2023年第2期63-69,共7页Journal of Nanchang Normal University
基 金:国家社会科学基金重大项目“红色文艺与百年中国研究”(21&ZD259);教育部人文社会科学研究一般项目“中国左翼文学的想象与叙述(1927—1949)”(17YJA751006)。
摘 要:国民党意图倡导三民主义文艺运动来与左翼文艺运动进行对抗,但这并未对左翼文艺界构成任何威胁。针对民族主义文艺派的创作和主张,“左联”通过《文学导报》《文学月报》等机关刊物登载了瞿秋白、茅盾、鲁迅、冯雪峰等的评论,揭露了民族主义文艺麻醉民众和鼓动法西斯主义的反动本质。尽管三民主义文艺和民族主义文艺运动带来了一些文坛喧嚣与噪音,但其并未对左翼文艺界带来太大的冲击,而真正对“左联”乃至整个左翼文艺界构成严重威胁和致命伤害的是国民党御用文人话语攻击之后对文艺查禁政策的推动、制定及实施。The Kuomintang intended to advocate the Three People’s Principles literary and art movement to fight against the left-wing literary and art movement,but this did not pose any threat to the left-wing literary and art circles,so the“Left Union”and its publications did not pay much attention to criticize the Three People’s Principles literary and art movement.In view of the creations and ideas of the nationalist literary and artistic faction,the“Left Union”published the comments of Qu Qiubai,Mao Dun,Lu Xun,Feng Xuefeng,and others through the“Literary Herald”and“Literature Monthly”and other organ publications,exposing the reactionary nature of nationalist literature and art in anesthetizing the people and inciting fascism.Although the Three People’s Principles and nationalist literary and art movements have brought some noise in the literary circle,the spiritual dissolution has not brought much impact to the left-wing literary and art circles,and what really poses a serious threat and fatal injury to the“Left Union”and even the entire left-wing literary and art circles is the promotion,formulation and implementation of the literary and artistic ban policy after the Kuomintang’s attack on the literati language.
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