张爱玲笔下“异域”形象的同质化  

Homogeneity of the Exotic Images under Eileen Chang's Pen

作　　者：刘真 万燕[2] Liu Zhen;Wan Yan

机构地区：[1]上海交通大学人文学院 [2]同济大学人文学院

出　　处：《华文文学》2023年第2期43-50,共8页Literatures in Chinese

摘　　要：在张爱玲的作品中,随处可见异域元素与本国元素的并置,尤以1942年至1945年间的创作高峰时期为盛。她身处天津租界、上海租界和英属香港地区等华洋混杂交错的地域中,亲历中西旧新文化糅杂异变的时代,创造出大量异国男女的婚恋故事和生活片段来忠实描摹殖民地人物的生存形势,反映时代特点,同时也建构出一种异象纷呈的现代都市文明生态。在塑造异域形象时,张爱玲没有营构出异族种族间的明显差异与对立,而是在对照调和中塑造出超越民族隔膜的异域群像,着眼于中西文化的整体性和普遍人类的通约性。研究张爱玲塑造异域形象时表现出的同质化现象,并在多重维度上解构同质化的成因和方式,以此为视点揭示她独特的人文观念,挖掘其作品更为丰富的文学价值和社会价值。In Eileen Chang's work,exotic elements are juxtaposed with those that are domestic,this reaching a.height particularly in her writing between 1942 and 1945.As she,situated in the foreign settlements of Tianjin,Shanghai and the British colony of Hong Kong region where the Chinese were living in a mixed way with the foreigners,experienced an age of hybridization of the old and new cultures of China and the West,she was able to create a large number of love stories of men and women from exotic countries in love or fragments of life in a loyal depiction of the living situation of the people in the colony and reflecting the characteristics of the times while also constructing a modem urban civilized ecology of all kinds.In her shaping of the exotic images,Eileen Chang did not try to create obvious differences or opposition between different races.Instead,she shaped groups of exotic images that transcended racial indifferences by contrast or reconciliation,focusing on the totality of Chinese and Western cultures and the commonality of general humanity.This homogeneity as expressed in her shaping of the exotic images in our research as well as causes or methods of deconstructing the homogeneity on multiple dimensions can act as a perspective on which to reveal her unique humanitarian concepts and excavate the richer literary and social values in her work.

关 键 词：张爱玲 异域形象 同质化 

分 类 号：I206[文学—中国文学]