中国戏剧理论“现代建构”的缘起、特征与使命——以新世纪以来戏剧理论研究界三篇“导论”为中心的考察  

The Origin,Characteristics and Mission of the“Modern Construction”of Chinese theatre Theories:An Investigation Based on Three“Introductions”of Theatre Theories in the 21st Century

作　　者：张华[1] ZHANG Hua

机构地区：[1]安徽师范大学文学院

出　　处：《戏剧艺术》2023年第2期1-14,共14页Theatre Arts

基　　金：安徽省哲学社会科学规划项目“抗战时期左翼戏剧期刊群研究(1931—1945)”(AHSKY2020D144)的阶段性成果。

摘　　要：“现代建构”作为中国戏剧理论阐释框架的一种,主要缘起于20世纪中国戏剧艺术的本体困境、戏剧发展格局的失衡及由此带来的戏剧理论建构的焦虑。其特征和方法主要体现在时间意识、整合性阐释和生成性建构等方面,其使命和挑战主要体现在探索中国戏剧理论研究发展方向、开拓戏剧理论研究的意义空间和促进戏剧艺术的本体回归等方面。这些同时也决定了“现代建构”这一学术命题的价值及其可能存在的问题。Through the investigation of three“Introductions”of theatre theories in the 21st Century,it is found out that“modern construction”as a kind of framework to elucidate Chinese theatre theory mainly originated from the ontological predicament of Chinese theatrical art,the imbalance of theatre development,and the resulting anxiety in the construction of theatre theories in the 20th century.Its characteristics and methodology are mainly reflected in the awareness of time,integrated interpretation,and generative construction.Its mission and challenges are mainly reflected in finding direction for the development of Chinese theatre theories,reinforcing the significance of the research on theatre theories,and promoting the ontological return of theatre arts.These also determine the value of such an academic proposition as“modern construction”and the possible problems coming with it.

关 键 词：中国戏剧理论 现代建构 缘起 特征 使命 

分 类 号：J80[艺术—戏剧戏曲]