五四文学的市民性渗入——对于20世纪40年代话剧通俗化的逆向考察  

Infiltration of Civilness in the May Fourth Literature:A Reverse Study on the Popularization of Drama in the 1940s

作　　者：尹诗 YIN Shi

机构地区：[1]郑州师范学院传播学院

出　　处：《戏剧艺术》2023年第2期40-50,共11页Theatre Arts

基　　金：河南省哲学社会科学规划项目“报刊媒介中的现代上海话剧研究”(2021BWX038)的阶段性成果。

摘　　要：20世纪40年代上海话剧的趋俗化,体现在学习借鉴市民文学以及市民话剧的演剧方式等方面。推及40年代各种文学形态的通俗化以及30年代的市民通俗文学形貌,可以看出“五四”被遮蔽的市民性。“五四”时期是旧派市民小说低潮期,更是现代市民文学的萌芽期,“五四”开启了真正现代意义上的市民小说的时代,其现代市民性的渗透体现在理论建设和文学创作诸方面。从左翼文学和通俗文学互动的视角切入20世纪40年代上海话剧趋俗化的研究,亦是对中国现代文学史发展规律的尊重。The popularization of drama in Shanghai in the 1940s was reflected in its learning from both civil literature and the ways of performance by civil theatres.Thinking of the popularization of various literary genres in the 1940s and the appearance of civil popular literature in the 1930s,we can find the overshadowed civilness of the“May Fourth Movement”.Being the low tide period of the old school of civil novels and the embryonic period of modern civil literature,the Movement ushered in the era of citizen novels in the real modern sense.The infiltration of civilness was shown in theoretical construction and literary creation.Studying the popularization of Shanghai drama in the 1940s from the perspective of the interaction between the left⁃wing literature and the popular literature also pays respect to the law of development of the modern Chinese literary history.

关 键 词：五四文学 市民性 上海话剧 

分 类 号：J80[艺术—戏剧戏曲]