新秧歌剧:作为一种“人民广场剧”的构建  

New Yangko Play:The Construction as“People's Square Play”

作　　者：焦欣波 JIAO Xinbo

机构地区：[1]西北大学文学院

出　　处：《戏剧艺术》2023年第2期70-81,共12页Theatre Arts

基　　金：国家社科基金一般项目“人民戏剧中的传统文化资源研究(1942—1966)”(21BZW157)的阶段性成果。

摘　　要：被称作“街头歌舞剧”“广场歌舞剧”的新秧歌剧,是延安知识分子及其他创作群体以服务工农兵为指向,对原本具有人类文化表演性质的旧秧歌进行“人民性”改造后的新品种。这种改造意图通过政治文化的再仪式化,实现集体性的情感共鸣与利益共同,通过解决“骚情”及其关联的“丑角”“噱头”等审美中心问题,确立其独特的美学特质,且在“笑”的新义及其“世界”中表现人民的“欢天喜地”,从而完成一种新型的群体性、广场性戏剧实践。因而,基于延安知识分子的种种界定与讨论总结,可确定新秧歌剧沿着“人民广场剧”这一总体目标与方向前进的实质,即新秧歌剧的道路在于构建一种以民间歌舞为表象的“人民广场剧”。The new Yangkoplay,known as“street musical”and“square musical”,is a new variety of Yangko which is originally a human cultural performance by nature.It is transformed by Yan'an intellectuals and other creative groups,aiming at serving the workers,peasants and soldiers.Such a transformation is intended to achieve collective emotional resonance and common interests through the re⁃ritualization of political culture.It aims to build up unique aesthetic features by solving the main problems of“flirtatiousness”and the associated“clowning”and“gimmicks”,and to express people's“joy”in a new definition of“laughter”in its“world”,and thus creates a new type of group square play.Based on the various definitions and discussions of Yan'an intellectuals,it is safe to say that the new Yangko play is progressing against the overall goal of making“people's square play”.In other words,the new Yangko play is marching in the direction of constructing a“people's square play”manifested with folk songs and dances.

关 键 词：新秧歌剧 再仪式化 审美改造 笑 

分 类 号：J80[艺术—戏剧戏曲]