日本能剧“范型”的审美启示  

The Aesthetic Enlightenment in the“Paradigm”of Japanese Noh

作　　者：韩聃 HAN Dan

机构地区：[1]哈尔滨工业大学(威海)语言文学学院

出　　处：《戏剧艺术》2023年第2期109-118,共10页Theatre Arts

基　　金：国家社科基金“‘文化磨合’与日本能乐范型理论建构研究”(19BWW025)的阶段性成果。

摘　　要：日本古典戏剧能剧根植于日本传统艺能,经由表演艺术家世阿弥的改创,融入“幽玄”至上的艺术审美风格,成为日本民族精神演化历程中重要的审美对象。能剧作为一种“范型”是与台下观众达成了默契的、特有的审美定式。它在几百年的历史演进中建立起的规范潜移默化地影响着日本当代戏剧实践。能剧的艺术传统对当今戏剧发展具有启示性意义。Noh,as the classical Japanese theatre,is rooted in traditional Japanese arts.It was reformed by Zeami the performing artist,with the aesthetic style integrating“the subtle and the profound”,which became an important aesthetic object in the evolution of the Japanese national spirit.As a“paradigm”,Noh has reached a tacit and unique aesthetic formula with the audience.Its norms established in the course of hundreds of years of historical evolution have imperceptibly influenced the practice of contemporary Japanese theatre.The artistic tradition of Noh has enlightening significance for the development of modern theatre.

关 键 词：能剧 艺术审美 模仿 幽玄 

分 类 号：J80[艺术—戏剧戏曲]