从“在场”到“虚拟场”:虚拟影像合成与戏剧的未来  

From“Presence”to“Virtual Field”:Virtual Image Synthesis and the Future of Theatre

作　　者：贡其力 GONG Qili

机构地区：[1]南京传媒学院新闻传播学院

出　　处：《戏剧艺术》2023年第2期160-169,共10页Theatre Arts

基　　金：2022年江苏高校哲学社会科学研究一般项目“接受美学视域下交互纪录片的叙事建构研究”(2022SJYB0666)的阶段性成果。

摘　　要：全球的现场演艺业逐步进入数字化、云端化的转型,“线上戏剧”“云端剧院”不断涌现。然而,传统戏剧在探索新出路的同时,明显呈现出其美学滞后的困境,寻找与新媒介相契合的线上戏剧新美学已迫在眉睫。虚拟现实技术改变了人们对影像的认知,虚拟空间不仅可以让受众产生沉浸式体验,而且能够比传统剧场存在更强烈的在场感。在总结传统戏剧艺术中独特的戏剧空间和美学特征后,将传统戏剧中的“场域”效应与虚拟影像中的“合成”理念相结合,可用来探索新媒介、新技术下戏剧美学的新范式。The global live entertainment industry has gradually entered the period of digital and cloud⁃based transformation,with the emergence of“online theatre”and“cloud theatre”.However,while traditional theatre is looking for a new way out,the corresponding aesthetic development lags behind.Therefore,it is urgent to explore new aesthetics of online theatre that is compatible with the new media.Virtual reality technology has changed people's perception of images,and virtual space can give audience not only an immersive experience,but also a stronger sense of presence than traditional theatres.After summarizing the unique theatrical space and aesthetic features in traditional theatre art,this paper contends that a combination of the“field”effect in traditional theatre with the concept of“synthesis”in virtual image can be used to explore a new paradigm of theatre aesthetics with new media and technology.

关 键 词：线上戏剧 场域效应 虚拟现实 影像合成 

分 类 号：J80[艺术—戏剧戏曲]