电影工业美学的伦理命题  

The Ethical Proposition of Film Industry Aesthetics

作　　者：袁智忠[1] 蒋峰 YUAN Zhizhong;JIANG Feng(School of Journalism and Communication,Southwest University,Chongqing 400715,China;School of Television,Sichuan Film and Television University,Chengdu 610037,China)

机构地区：[1]西南大学新闻传媒学院,重庆400715 [2]四川电影电视学院电视学院,成都610037

出　　处：《上海大学学报（社会科学版）》2023年第3期55-64,共10页Journal of Shanghai University(Social Sciences Edition)

基　　金：国家社会科学基金艺术学一般项目(20BC033);西南大学2020年度中央高校基本科研业务费专项资金项目(SWU2009111)。

摘　　要：电影工业美学作为当前国内被广泛提及的一个重要的电影美学观念,在电影伦理学层面,探讨与其相关的伦理命题,对于增益电影工业美学理论的发挥具有重要的启示性意义。因此,基于生产伦理、技术伦理和传播伦理三个范畴,围绕着从“手段善”到“道德善”的生产伦理诉求、警惕技术性影像制造“极度体验”的消费陷阱以及在传播层面尊重“为己利他”的市场经济道德原则三个主题,对电影工业体系中存在的伦理规范与伦理失范进行了相应的伦理思考,最终力求在整体意义上构建出电影工业伦理的价值观念。Film industry aesthetics,an important concept of film aesthetics widely mentioned in China at present,explores related ethical propositions and has produced an enlightening significance in expanding theories of film industry aesthetics.Based on the three categories of production ethics,technology ethics and communication ethics,the paper encompasses three themes:the appeal for production ethics from“good means”to“good morality”,warning against the consumption trap of“extreme experience”caused by technical image manufacturing,and respecting“self-altruism”moral principle of market economy in publicity.By discussing the ethical norms and ethical anomie in the film industry system,the paper aims at constructing the value concept of film industry ethics in the overall sense.

关 键 词：电影工业美学 生产伦理 技术伦理 传播伦理 电影工业伦理 

分 类 号：J90-02[艺术—电影电视艺术]