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作 者:杨奎 Yang Kui(Yang Kui Zisha Studio,Jiangsu,Yixing,214200,China)
出 处:《陶瓷》2023年第5期153-155,共3页Ceramics
摘 要:龙经常出现在我国传统文化中,从政治、经济和文化生活层面,都能够感受到龙文化的深刻影响,也从中能够感受到紫砂陶刻与众不同的精湛技艺和艺术魅力。从整体上来看这件紫砂艺术作品“游龙赏盘”的陶刻内容,把国人对于龙这样的一种精神图腾的神秘感、崇拜感以及自豪感充分地体现出来,作为炎黄子孙,龙的传人,龙行天下的理念深入人心,以至于在许多的艺术形式之中都能够找到龙这一元素存在的痕迹。也正是在这样优秀的作品影响之下,我们才能够在不断地去探寻紫砂艺术的真谛之所在,在千百年的传承之中找到一直创新的发展理念,也让龙这一形象更加地深入人心,在欣赏把玩的同时品味中华文明的博大精深。Dragon often appears in traditional Chinese culture,from the political,economic and cultural life,can feel the profound impact of dragon culture,but also feel the exquisite skill and artistic charm of purple sand pottery carving out of the ordinary.On the whole,the pottery carving content of the Dragon Appreciation Plate fully reflects the mystery,worship and pride of the Chinese people for the dragon,a kind of spiritual totem.As descendants of the Chinese and the descendants of the dragon,the concept of the dragon in the world has been deeply rooted in the hearts of the people,so that traces of the existence of the element of the dragon can be found in many art forms.It is under the influence of such excellent works that we can constantly explore the true meaning of zisha art,find the innovative development concept in the thousands of years of inheritance,and let the image of the dragon more deeply rooted in the hearts of the people.While enjoying and playing,we can also taste the extensive and profound Chinese civilization.
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