勋伯格无调性音乐产生的社会心理学考察  

A Socio-psychological Examination of the Generation of Schoenberg's Atonal Music

作　　者：袁利军[1] Yuan Lijun

机构地区：[1]武汉音乐学院音乐学系,湖北武汉430060

出　　处：《艺术探索》2023年第2期113-121,共9页Arts Exploration

基　　金：2020年度武汉音乐学院后期资助项目“观念·形式·内涵--‘世纪末’文化背景下勋伯格1903-1923年间的创作思维转型”(2020HQKT02)。

摘　　要：19世纪晚期,伴随着政治上的社会变革运动,维也纳这座一贯保守的城市在青年人群体中萌生出的“青年维也纳派”“分离派”等文艺团体,以及柏林、慕尼黑等城市出现的“青年风格”等,对同时期音乐家勋伯格产生了一定的影响和启发。而那时德奥出现的抽象艺术理论,以及艺术逐渐自律化的倾向,也成为勋伯格走向无调性音乐创作的动因之一。In the late 19th century,along with the political movement of social change,literary and artistic groups such as the Young Viennese School and Secession emerged among the young people of Vienna,together with the Young Style(Jugendstil)that appeared in Berlin,Munich and other cities.All of these exerted a certain influence on and provided inspirati on for the musicians of that period.At that time,the emerge nee of abstract art theory in Germany and Austria and the gradual turning of art into a self-disciplined subject also became one of the motivations that encouraged Schoenberg to move towards atonal music creation.

关 键 词：无调性 维也纳 分离派 青年风格 抽象艺术 

分 类 号：J614[艺术—音乐]