从红色象征到红色展演的实践结构——中国红色微电影盛典的人类学阐释  

From the Red Symbol to the Red Performance:An Anthropological Interpretation of China's Red Microfilm Festival

作　　者：刘安军[1] 余承周[2] Liu Anjun;Yu Chengzhou(School of Management,Anhui Technical College of Radio,Film and Television,Hefei 230011,China;School of Journalism and Communication,Anhui Technical College of Radio,Film and Television,Hefei 230011,China)

机构地区：[1]安徽广播影视职业技术学院管理学院,合肥230011 [2]安徽广播影视职业技术学院新闻传播学院,合肥230011

出　　处：《大理大学学报》2023年第5期75-80,共6页Journal of Dali University

基　　金：安徽省教育厅人文社科重点项目(SK2021A1048,SK2018A0885)。

摘　　要：中国红色微电影盛典是国内最具影响力的红色电影活动之一,红色象征产生于独特文化的地域传统中,受到网络“微”传播的形式规范,显著的红色所指成为其形式特征,“真实”成为贯穿于结构到细节的创作要求。红色展演是“特定类型事物”多元形式话语,“观”与“演”在共同的文化记忆中展开,红色舞台是被控制的价值体系和交流体系,地方红色专员权力镜像投射出内在文化志向。The Red Microfilm Festival is one of the most influential red film activities in China.It originated from unique regional culture,and is regulated by the form of network"micro"communication.A prominent red signifier becomes its formal feature,and"reality"is the requirement for its creation.Red performance is a multi-form discourse of"specific types of things",in which"watching"and"performing"are carried out in the common cultural memory.The red stage is a controlled value system and communication system.The local red commissioner's power mirror image reflects the internal cultural aspirations.

关 键 词：红色盛典 象征 文化展演 实践结构 

分 类 号：G22[文化科学]