越剧路头戏的即兴性与程式性探究——以嵊州“金羲的笃班”为例  

An Exploration of the Improvisation and Routine in the Lu-tou-xi(Improvised Performance)of Yueju(Yue Opera):A Case Study of the Troupe“Jinxi’s Duban”in Shengzhou City

作　　者：竺悦文 孟凡玉 ZHU Yuewen;MENG Fanyu(Department of Music,Zhejiang Conservatory of Music,Hangzhou,Zhejiang,310024,China;China Conservatory of Music,Beijing,100101,China)

机构地区：[1]浙江音乐学院音乐学系,浙江杭州310024 [2]中国音乐学院,北京100101

出　　处：《贵州大学学报（艺术版）》2023年第3期87-98,共12页Journal of Guizhou University Art Edition

摘　　要：越剧路头戏是至今仍活跃于浙江农村舞台上的一种传统戏曲表演形式,演员们知晓故事梗概后,不经排练,即登台演出。“金羲的笃班”诞生于越剧故乡嵊州,是由当地十几位经验丰富的民间艺人自发组织而成的小戏班,戏班只演出路头戏,主要承接周边农村乡镇的演出。“路头戏”以即兴表演为基础,在即兴中伴随着一些艺人们熟知的程式,在舞台上下默契的配合中,有许多仅为艺人所知的创作手法。Lu-tou-xi(Improvised Performance)of Yueju(Yue Opera)is a traditional form of opera performance that is still active on rural stages in Zhejiang Province.After knowing the synopsis,the performers act on stage without rehearsal.The troupe“Jinxi’s Duban”is a small troupe spontaneously organized by more than ten experienced local folk artists in Shengzhou city,the hometown of Yue Opera.The troupe only performs Lu-tou-xi and mainly undertakes performances from the surrounding rural towns.Lu-tou-xi is based on improvisation,accompanied by some familiar routines by the artists.In the tacit cooperation between performers on and off the stages,there are many creative techniques that are only known to them.

关 键 词：越剧 路头戏 即兴 程式 传统表演 

分 类 号：J825[艺术—戏剧戏曲]