论农业合作化时期党的群众文化建设——以农村剧团为例的考察  

On the Party's Mass Cultural Construction during the Agricultural Cooperative Period—A Case Study of Rural Troupes

作　　者：邢恩源 Xing Enyuan(School of Marxism,Lingnan Normal University,Zhanjiang 524048,China)

机构地区：[1]岭南师范学院马克思主义学院

出　　处：《江苏大学学报（社会科学版）》2023年第3期63-75,共13页Journal of Jiangsu University(Social Science Edition)

基　　金：教育部人文社会科学研究一般项目(21YJA770015);岭南师范学院人才专项项目(ZW2023)。

摘　　要：1953—1956年,借农业合作化运动之际,中国共产党对农村群众文化进行了全方位改造。在此期间,以个体经济为基础的传统民间文化形态向以集体经济为基础的社会主义群众文化形态急剧转型。包括农村剧团在内的大量群众文化团体在经费给养、组织形式、领导管理、业务活动等各方面发生了实质性转变,体现出明显的社会主义文化特征。此次变革一举奠定了集体化时期我国农村群众文化建设的基本模式,在整体上顺应了时代发展的要求,同时也留下了许多宝贵的历史经验。From 1953 to 1956,the Communist Party of China reformed the rural mass culture in an all-round way during the Agricultural Cooperative Movement.During this period,the traditional folk cultural form based on private economy quickly changed to the socialist mass cultural form based on collective economy.A large number of mass cultural organizations,including rural troupes,underwent substantial changes in funding,organization form,leadership and management,daily activity and so on,showing obvious socialist cultural characteristics.This reform shaped the basic model for the mass cultural construction in rural China during the Collectivization period,complied with the requirements of the times as a whole,and left many valuable historical experiences.

关 键 词：农业合作化 农村剧团 群众文化建设 中国共产党领导 经济基础 文化振兴 

分 类 号：K27[历史地理—历史学]