隐身者与替罪羊——论《带走你的孩子,先生!》中的阶级意识  

The Invisible and the Scapegoat:On the Class Awareness in Take Your Son,Sir!

作　　者：常李楠 刘平[1] Chang Li’nan;Liu Ping(the Academy of Arts & Design, Tsinghua University)

机构地区：[1]清华大学美术学院

出　　处：《美术》2023年第5期132-141,共10页Art Magazine

摘　　要：长久以来,维多利亚时期家庭中的女人被默认为是无阶级、远离阶级暴力之外的,由此造成对福特·马多克斯·布朗充满争议的家庭题材画作《带走你的孩子,先生!》的解读大为受限。本文借自我验证、投射性认同等心理学理论,在剖析布朗自我阶级定位与社会现实间尖锐冲突的基础上,详解此画的创作动机,认为此画奇特的根本原因在于女性的去阶级化而催生出的替罪羊式伴侣关系。本文还进一步探讨了维多利亚时代的社会话语对此种替罪羊家庭模式的助推作用。For a long time,women in the Victorian era were considered classless and free from class violence,which restricted the interpretation of the controversial family-themed Take Your Son,Sir!created by Ford Madox Brown.On the basis of psychological theories such as self-verification and projective identification,this paper analyzes of the sharp conflict between Brown's own judgement of his class and social reality to elaborate on the motivation of this painting in detail,and believes that the reason behind its uniqueness lies in the scapegoat-style partnership spawned by the classless-ness of women.Besides,this paper explores the role of social discourse in the Victorian era in promoting this scapegoat-style family model.

关 键 词：福特·马多克斯·布朗 带走你的孩子 先生 阶级意识 男性中心主义 

分 类 号：J205[艺术—美术]