论谢灵运诗的早期流传与形塑  

The Early Spread and Deformation of Xie Lingyun's Poetry

作　　者：魏珞宁 WEI Luoning(Department of Chinese Language and Literature,PekingUniversity,Beijing 100871)

机构地区：[1]北京大学中文系,北京100871

出　　处：《中国文学研究》2023年第2期41-50,共10页Research of Chinese Literature

摘　　要：谢灵运诗歌在齐梁时期就有“谢灵运体”之称,齐梁人认为“谢灵运体”锻炼工丽而章法结构存在不足,但认为不足的评价在后代诗论中逐渐式微,甚至其结构反受到推重。《文选》和《艺文类聚》依靠去取篇目和删削诗句两个主要手段,客观上强调谢灵运诗歌中的山水成分。谢灵运诗歌原本存在丰富的流传途径,通过以《艺文类聚》为代表的总集、类书等大型文献,不仅可以研究谢灵运诗歌如何被形塑,也可以窥见其流传和接受的历史。Xie Lingyun's poetry was called“Xie Lingyun style”.The people of Qi and Liang Dynasties believed that“Xie Lingyun style”was a poetic style with beautiful sentence making and insufficient structure,but the latter gradually declined in the poetics of future generations,and even its structure was promoted.Wen Xuan and Yi Wen Lei Ju objectively emphasize the landscape elements in Xie Lingyun's poems and delete the cumbersome parts by two main means:selecting articles and deleting poems.Xie Lingyun's poetry originally had a wealth of ways to spread.Therefore,through the collection,class books and other large-scale documents represented by art and literature collection,we can not only study how Xie Lingyun's poetry was shaped,but also see the history of its spread and acceptance.

关 键 词：谢灵运体 《文选》 《艺文类聚》 流传 形塑 

分 类 号：I222[文学—中国文学]