从《东京梦华录》到“梦华体”:名物铺叙的重要作用  

From Dong Jing Meng Hua Lu to Menghua Style:the Importance of Elaborating Names of Things

作　　者：鄢虹 YAN Hong(College of Chinese Language and Literature,Hunan University,Changsha,Hunan 410082)

机构地区：[1]湖南大学中国语言文学学院,湖南长沙410082

出　　处：《中国文学研究》2023年第2期58-66,共9页Research of Chinese Literature

基　　金：湖南省哲学社会科学基金青年项目“古代中国文学博物传统建构研究”(21YBQ025)。

摘　　要：《东京梦华录》虽长期被归为史料笔记,却颇具文学感染力,并催生了诸多仿作。今人在审视此类作品时,为之提出了“梦华体”这一概念,试图将其纳入文学研究领域。然而,现有研究对《东京梦华录》的接受史缺乏观照,亦未把握住“梦华体”的典型特征——名物铺叙。就接受史材料来看“,梦华体”文学虽普遍可引发读者对繁华破灭的叹惋,但它们在写作上的特点上,却纯然是对都市日常生活的呈现,而名物铺叙,即为呈现此生活之手段,亦为“梦华体”之独特美感的重要来源。Dong Jing Meng Hua Lu,has touched a lot of readers in different dynasties by its literary characteristics.Moreover,a series of works are found similar to Dong Jing Meng Hua Lu,especially when their literary characteristics were discussed.To describe this phenomenon,"menghua style"has been raised and studied by current researchers.However,these studies have paid no attention to the acceptance history of menghua style.What's more,the elaboration of names,which is the most typical content in these works,has also been ignored.Although the literary effect of menghua style is to arouse readers'regrets about the disillusionment of flourishing lives in capital,this kind of emotion has not been wrtten directly.Only the descriptions of daily life can be found in the texts,and the way to describe it is to elaborate names of things in detail,which is also the true source of unique aesthetic characteristics of menghua style.

关 键 词：《东京梦华录》 梦华体 接受史 日常生活 

分 类 号：I206.2[文学—中国文学]