“晋宋体”与清代骈文批评分体的意义  

“Jin Song Style”and the Significance of the Split Style of Parallel Prose Criticism in the Qing Dynasty

作　　者：陈倩 CHENV Qian(College of Liberal Arts,Hunan Normal University,Changsha,Hunan 410081)

机构地区：[1]湖南师范大学文学院,湖南长沙410081

出　　处：《中国文学研究》2023年第2期87-95,共9页Research of Chinese Literature

基　　金：国家社会科学基金重大项目“明清骈文文献整理与研究”(18ZDA251)。

摘　　要：清代是骈文学的集大成时代。清人在总结骈文特征或进行骈文批评时,多推崇前代,以时而论,概括或具体指出时人的骈文特征。清初李绂提出骈文可分为六朝体、唐体和宋体;晚清胡念修又分为汉魏体、齐梁体、唐体和宋体;张之洞则又从六朝体中分出“晋宋体”。确实,对进入过程的清代文学史而言,“晋宋体”骈文单列,更能凸显文章在汉魏、晋宋和齐梁之际的嬗变特征,凸显自我特色。同时,这又说明了清人对骈文属性认识的深化,也反映了当时骈文摆脱四六体制,走向骈散交融的尊体努力。The Qing Dynasty was the era when parallel literature was the epitome.When people in the Qing Dynasty summarized or criticized the characteristics of parallel prose,they mostly praised the previous generation,talked about it from time to time,and summarized or specifically pointed out the parallel prose characteristics of the contemporary people.In the early Qing Dynasty,LiFu proposed that parallel prose could be divided into Six Dynasties style,Tang style and Song style;In the late Qing Dynasty Hu Nianxiu divided it into Han Wei style,Qi Liang style,Tang style and Song style;Zhang Zhidong,on the other hand,separated the Jin Song style from the Six Dynasties style.Indeed,as far as the literary history of the Qing Dynasty is concerned,the"Jin Song style"parallel prose is listed separately,which can highlight the evolution characteristics of the articles during the Han Wei,Jin Song and Qi Liang Dynasties,and highlight their own characteristics.At the same time,it also shows that people in the Qing Dynasty deepened their understanding of the attributes of parallel prose,and also reflects the efforts made to get rid of the parallel system of parallel prose and move towards the integration of parallel prose and prose.

关 键 词：清代 骈文 晋宋体 文章学 

分 类 号：I222[文学—中国文学]