“左联五烈士”之冯铿:从“国民革命”到“苏维埃革命”的疾风骤雨  

Feng Keng in the“Five Martyrs of the Chinese Left-Wing Writers'Union”:the Stormyy from“National Revolution”to“Soviet Revolution”

作　　者：高翔宇 GAO Xiangyu(School of Humanities,China University of Political Science and Law,Beijing 102249)

机构地区：[1]中国政法大学人文学院,北京102249

出　　处：《中国文学研究》2023年第2期164-173,共10页Research of Chinese Literature

基　　金：国家社会科学基金后期资助项目“近代中国知识女性的文化谱系”(20FZSB081)。

摘　　要：“左联五烈士”唯一的女作家冯铿,曾试图通过创作爱情诗、田园诗摆脱“新女性”的情感烦闷,但因大革命的失败而幻灭。来到上海加入中共党组织并成为“左联”的发起人之一,促使她完成了“革命女作家”身份政治的转型。从革命大家庭中的性别政治出发,一方面,她基于女性本质主义的性别认同形塑出雄浑的外在气质,并非是“拟男化”的形象规训,另一方面,尽管预估了在革命队伍中可能遭遇的生理尴尬,但并不能掩盖她对女性主体性地位的认同。此外,在她富于想象式“战斗的苏维埃”的创作,以及烈士精神遗产的背后,也折射出中共苏维埃革命初期“左”倾错误的历史面相。Feng Keng,the only female writer in the"Five Martyrs of the Chinese Lef-Wing Writers’Union",once tried to get rid of the emotional distress of"new women"by creating love poems and pastoral poems.but her attempts ended in the failure of the National Revolution.She eame to Shanghai to join the Communist Party of China and beeame one of the initiators of the"the Chinese Left-Wing Wrters’Union",which prompted her to complete the transformnation of the idenity politics of"revolutionary female writer".Starting from the gender politics in the revolutionary family,on the one hand,based on the gender identity of female essentialism,she shaped a vigorous extemal temperament,not really'masculine"image discipline;on the other hand,she predicted the possibility of physieal embarassment in the revolutionary army,but it doesn't hide her identificalion with the slatus of female subjetivity.Moreover,behind her imaginative ereation of"Fighting Soviets"and the spirtal legacy of the martyrs,it also refleets the historical orientation of the wrongs of"Left"deviation of the Communist Party of China during the Soviet Revoluion.

关 键 词：冯铿 国民革命 苏维埃革命 “左联五烈士” 

分 类 号：I206.6[文学—中国文学]