论汪曾祺20世纪40年代短篇小说的文体实验  

On the Stylistic Experiments of Wang Zengqi's Short Stories in the 1940s

作　　者：王昊 WANG Hao(Chinese Language and Literature,South China Normal University,Guangzhou,Guangdong 510006)

机构地区：[1]华南师范大学文学院,广东广州510006

出　　处：《中国文学研究》2023年第2期174-181,共8页Research of Chinese Literature

摘　　要：汪曾祺在20世纪40年代进行了短篇小说的文体实验。他以“人生形式”为思考方向,自觉地把理论和创作相结合,尝试打破文体间的界限,综合多种文体之长来实现对短篇小说的现代改造。在语言上,他用“谈话风”的话语形式,把自己的知识、经验和思考糅合进小说“聊天”式的情境中;在结构上,他借鉴传统的“文气说”,用充沛而贯穿始终的情感来保持叙事节奏的协调统一。汪曾祺以“不像小说的小说”为文体特征,进行“打破”和“综合”的创作实验,对如何融合古今中西的文体思想做出了有价值的尝试,也对20世纪80年代的文学发展产生了一定影响。Wang Zengqi conducted stylistic experiments in short stores in the 1940s.He consciously combined theory with ere-ation,tried to break the boundary between styles,synthesized the merils of various styles to realize the modemn transformation of short stories,and formed a unique style.In terms of language,he combined his own knowledge.experience and thinking into the cha-like situation of the novel in the form of"talk style".In terms of structure.he drew lessons from the traditional‘Wen Qi"the-ory and used abundant emotions throughout to mainlain the coordination and unity of the narrative rhythm.Wang Zengqi took"novel not like novel"as his stylistic feature,and stood on the"non-mainstream'aesthetic trend in the 1940s.He made a valuable at-tempt to integrate ancient and moderm Chinese and Westerm stylistic thoughts.which also had a certain influence on the literary de-velopment in the 1980s.

关 键 词：文体实验 话语风格 叙事节奏 文章学传统 

分 类 号：I206.6[文学—中国文学]