以婴戏纹为例——谈古典审美中“气韵”对陶瓷艺术绘画的阐发  

Take the Theme of Baby Pattern as an Example--On the Elaboration of"Verve"in Classical Aesthetics on Ceramic Art Painting

作　　者：肖静媚 Xiao Jingmei(Jingdezhen Ceramic University,Jingdezhen,333403)

机构地区：[1]景德镇陶瓷大学,景德镇333403

出　　处：《陶瓷研究》2023年第2期49-52,共4页Ceramic Studies

摘　　要：“气韵”一词,自被提出以来,对中国绘画产生了深远的影响。婴戏纹作为中国人物画中的一种,对于“气韵”的展现亦十分生动。本文将从婴戏纹及其气韵的解析出发,通过分析历代婴戏纹中气韵的表现,结合现代陶瓷艺术绘画中对于婴戏题材的转化与表达,阐述对气韵的理解及创作感悟。"Verve"has had a profound impact on Chinese painting since it was put forward.As a kind of Chinese figure painting,the theme of baby play is also very vivid in showing the"Verve".This article will start from the analysis of the infant play pattern and its Verve,and through the analysis of the expression of Verve in the infant play pattern in the past dynasties,combined with the transformation and expression of the subject matter of the infant play in modern ceramic art painting,explain the understanding of charm and the sense of creation.

关 键 词：婴戏纹 气韵 陶瓷绘画 

分 类 号：J527[艺术—艺术设计]